KEYNOTE LECTURERS
Ric Allsopp
Ric Allsopp is a co-founder and joint editor of Performance Research, a quarterly international journal of contemporary performance (London & New York: Routledge, Taylor & Francis) <http://www.performance-research.org> He was an integral part of Dartington College of Arts from the mid-1970s onwards and taught at the SNDO in Amsterdam during the 1990s. He was a Guest Professor (2007- 2011) in the new Inter-University Centre for Dance (HZT) at the University of the Arts, Berlin, involved in the development of the Centre and the MA in Solo/Dance/ Authorship; and also visiting lecturer for the MA in Choreography at ArtEZ, Netherlands (2008-2011). He is currently editing two issues of Performance Research on 'Falling' (PR18-4, 2013) with the choreographer Emilyn Claid, and on 'Digital Writing' (PR18-5, 2013) with Jerome Fletcher. Research interests include contemporary performance practices, the poetics and histories of ‘open work’, the choreographic image, and relations between writing and movement. His work has been published in a variety of books and journals including Frakcija, PAJ, Tanz-Journal, and Theater der Zeit. He is currently Professor of Contemporary Performance and Head of Dance & Choreography at Falmouth University, UK.
Prof. Dr. Sandra Umathum
Since April 2013 professor for theatre studies and dramaturgy at the Hochschule für Schauspielunst 'Ernst Busch'. She studied Theatre studies, Anglistics, Italianistics and Philosophy at the FU Berlin and University Vienna. 2000-2003 she was a research associate in the programme „Theatricality and the crisis of Representation“ at the FU (Free University) Berlin. 2003 to 2006 she was a member of the Aesthetic Experience and the Dissolution of Artistic Boundaries Collaborative Research Center. 2008-2010 she has been a member of the Interweaving Performance Cultures International Research Center at the Freie Universität Berlin. 2007 to 2010 she was a member of the GIF-Project „Poetics and Politics of the Future“ (cooperation FU Berlin / Tel Aviv University). In 2008 she completed her dissertation on intersubjective experiences in contemporary exhibition art, published as „Kunst als Aufführungserfahrung“ (Transcript, 2011). 2010 to 2012 she was visiting professor for Dramaturgy at the Hochschule für Musik und Theater „Felix Mendelssohn Bartholdy“ in Leipzig.
From 1998 to 2002 she collaborated in various projects of Christoph Schlingensief („Chance 2000“, „Bitte liebt Österreich!“, „Hamlet“). 2007 she was an assistant of Tino Sehgal for the exhibition „This situation“ at Hamburger Bahnhof berlin. She has written numerous articles and coedited various books on theatrical and performative phenomena. (Co-editor of a.o. „Schlingensiefs Nazis Rein / Torsten Lemmer in Nazis Raus“ (Suhrkamp, 2003); „Carl Hegemann: Plädoyer für die unglückliche Liebe. Texte über Paradoxien des Theaters“ (Theater der Zeit, 2005); „Auf der Schwelle. Kunst, Risiken und Nebenwirkungen“ (together with Erika Fischer-Lichte, Robert Sollich, Matthias Warstat – Fink, 2005).
Main research: relations between theatre, performance and visual arts, political dimensions of the aesthetic, theorie and aesthetic of contemporary theatre and performance, contemporary dramaturgical practices.
Miika Luoto
Miika Luoto is a Finnish philosopher, aesthetician and translator (born 1966 in Helsinki). After a period of research and teaching at the University of Helsinki, where he originally studied, he has been working mainly at Helsinki art universities: Theatre Academy, University of Art and Design (now Aalto Arts), and Academy of Fine Arts. He is currently Lecturer of philosophy and performance theory at the Theatre Academy.
In addition to numerous articles on Continental philosophy and aesthetics, Miika Luoto has published the books Heidegger ja taiteen arvoitus (“Heidegger and the Enigma of Art”, 2002) and Heidegger: Ajattelun aiheita (“Heidegger: Issues of Thought”, ed. with J. Backman, 2006). In addition to many translations of Heidegger, Nietzsche, Derrida and others, he has edited and translated (with T. Roinila) Maurice Merleau-Ponty: Filosofisia kirjoituksia (“Philosophical Writings”, 2012). Currently, he is finishing an English-language study on Heidegger reflecting on the question of art as a problem of finitude and historicity. A book called “Senses of Embodiment: Art, Technics, Media” (edited with M. Elo) is forthcoming from Peter Lang.
Elena Giannotti
Elena Giannotti is an independent dancer. She worked with L’Ensemble Dance-Theatre, Virgilio Sieni, Yoshiko Chuma, Nicole Peisl for The Forsythe Company, Daghdha Dance Co. and Fearghus O’Conchuir amongst others. She has been Rosemary Butcher’s main Interpreter for more than 10 years. As an improviser she has danced with artists like Julyen Hamilton, Vera Mantero, Jennifer Monson, Ray Chung amongst others. Since 2011 she is collaborating with Company Blu, Italy in Improvisation Performance Practice Projects.
She started to make her own work in 2008. To date her works have been shown in Ireland, UK, Mexico, Italy, New York, Slovakia, and Czech Republic. Elena is a Chinese Medicine, Tuina and Qi Gong Practitioner and a Social Dreaming Facilitator.
Vaginal Davis
Vaginal Davis is an originator of the homo-core punk movement and a gender-queer art-music icon. Her concept bands -- including Pedro Muriel and Esther, Cholita! The Female Menudo, black fag, and the Afro Sisters -- have left an indelible mark on the development of underground music. Like Ron Athey, Ms Davis made her name in LA's club performance scene, and has earned herself a similar notoriety as a cultural antagonist and erotic provocateur.
Set apart from gallery-centered art, and Hollywood movies, and from those systems' necessities of high-polish, low-substance production, Vaginal Davis's low-budget -- often no-budget -- performance, experimental film and video practice has critiqued exclusionary conceits from the outside. Davis has been a prolific producer of club performance, video and Xerox-produced Zines, and other forms of antagonistic low-cost, high-impact work. Such as in her drag reconstruction of Vanessa Beecroft's Navy SEALs performance, Ms Davis derails collector-friendly raciness in spectacles of femininity, queerness and blackness. She critiques both the gallery system and the larger cultural trend that it mirrors, with tongue-in-cheek self-exploitation and rude provocations of racial and gender confusion.
Vaginal Davis is the key proponent of the disruptive performance aesthetic known as terrorist drag. Disrupting the cultural assimilation of gay-oriented and corporate-friendly drag, she positions herself at an uncomfortable tangent to the conservative politics of gay culture, mining its contradictory impulses to interrupt the entrenchment of its assimilatory strategies.
Ric Allsopp is a co-founder and joint editor of Performance Research, a quarterly international journal of contemporary performance (London & New York: Routledge, Taylor & Francis) <http://www.performance-research.org> He was an integral part of Dartington College of Arts from the mid-1970s onwards and taught at the SNDO in Amsterdam during the 1990s. He was a Guest Professor (2007- 2011) in the new Inter-University Centre for Dance (HZT) at the University of the Arts, Berlin, involved in the development of the Centre and the MA in Solo/Dance/ Authorship; and also visiting lecturer for the MA in Choreography at ArtEZ, Netherlands (2008-2011). He is currently editing two issues of Performance Research on 'Falling' (PR18-4, 2013) with the choreographer Emilyn Claid, and on 'Digital Writing' (PR18-5, 2013) with Jerome Fletcher. Research interests include contemporary performance practices, the poetics and histories of ‘open work’, the choreographic image, and relations between writing and movement. His work has been published in a variety of books and journals including Frakcija, PAJ, Tanz-Journal, and Theater der Zeit. He is currently Professor of Contemporary Performance and Head of Dance & Choreography at Falmouth University, UK.
Prof. Dr. Sandra Umathum
Since April 2013 professor for theatre studies and dramaturgy at the Hochschule für Schauspielunst 'Ernst Busch'. She studied Theatre studies, Anglistics, Italianistics and Philosophy at the FU Berlin and University Vienna. 2000-2003 she was a research associate in the programme „Theatricality and the crisis of Representation“ at the FU (Free University) Berlin. 2003 to 2006 she was a member of the Aesthetic Experience and the Dissolution of Artistic Boundaries Collaborative Research Center. 2008-2010 she has been a member of the Interweaving Performance Cultures International Research Center at the Freie Universität Berlin. 2007 to 2010 she was a member of the GIF-Project „Poetics and Politics of the Future“ (cooperation FU Berlin / Tel Aviv University). In 2008 she completed her dissertation on intersubjective experiences in contemporary exhibition art, published as „Kunst als Aufführungserfahrung“ (Transcript, 2011). 2010 to 2012 she was visiting professor for Dramaturgy at the Hochschule für Musik und Theater „Felix Mendelssohn Bartholdy“ in Leipzig.
From 1998 to 2002 she collaborated in various projects of Christoph Schlingensief („Chance 2000“, „Bitte liebt Österreich!“, „Hamlet“). 2007 she was an assistant of Tino Sehgal for the exhibition „This situation“ at Hamburger Bahnhof berlin. She has written numerous articles and coedited various books on theatrical and performative phenomena. (Co-editor of a.o. „Schlingensiefs Nazis Rein / Torsten Lemmer in Nazis Raus“ (Suhrkamp, 2003); „Carl Hegemann: Plädoyer für die unglückliche Liebe. Texte über Paradoxien des Theaters“ (Theater der Zeit, 2005); „Auf der Schwelle. Kunst, Risiken und Nebenwirkungen“ (together with Erika Fischer-Lichte, Robert Sollich, Matthias Warstat – Fink, 2005).
Main research: relations between theatre, performance and visual arts, political dimensions of the aesthetic, theorie and aesthetic of contemporary theatre and performance, contemporary dramaturgical practices.
Miika Luoto
Miika Luoto is a Finnish philosopher, aesthetician and translator (born 1966 in Helsinki). After a period of research and teaching at the University of Helsinki, where he originally studied, he has been working mainly at Helsinki art universities: Theatre Academy, University of Art and Design (now Aalto Arts), and Academy of Fine Arts. He is currently Lecturer of philosophy and performance theory at the Theatre Academy.
In addition to numerous articles on Continental philosophy and aesthetics, Miika Luoto has published the books Heidegger ja taiteen arvoitus (“Heidegger and the Enigma of Art”, 2002) and Heidegger: Ajattelun aiheita (“Heidegger: Issues of Thought”, ed. with J. Backman, 2006). In addition to many translations of Heidegger, Nietzsche, Derrida and others, he has edited and translated (with T. Roinila) Maurice Merleau-Ponty: Filosofisia kirjoituksia (“Philosophical Writings”, 2012). Currently, he is finishing an English-language study on Heidegger reflecting on the question of art as a problem of finitude and historicity. A book called “Senses of Embodiment: Art, Technics, Media” (edited with M. Elo) is forthcoming from Peter Lang.
Elena Giannotti
Elena Giannotti is an independent dancer. She worked with L’Ensemble Dance-Theatre, Virgilio Sieni, Yoshiko Chuma, Nicole Peisl for The Forsythe Company, Daghdha Dance Co. and Fearghus O’Conchuir amongst others. She has been Rosemary Butcher’s main Interpreter for more than 10 years. As an improviser she has danced with artists like Julyen Hamilton, Vera Mantero, Jennifer Monson, Ray Chung amongst others. Since 2011 she is collaborating with Company Blu, Italy in Improvisation Performance Practice Projects.
She started to make her own work in 2008. To date her works have been shown in Ireland, UK, Mexico, Italy, New York, Slovakia, and Czech Republic. Elena is a Chinese Medicine, Tuina and Qi Gong Practitioner and a Social Dreaming Facilitator.
Vaginal Davis
Vaginal Davis is an originator of the homo-core punk movement and a gender-queer art-music icon. Her concept bands -- including Pedro Muriel and Esther, Cholita! The Female Menudo, black fag, and the Afro Sisters -- have left an indelible mark on the development of underground music. Like Ron Athey, Ms Davis made her name in LA's club performance scene, and has earned herself a similar notoriety as a cultural antagonist and erotic provocateur.
Set apart from gallery-centered art, and Hollywood movies, and from those systems' necessities of high-polish, low-substance production, Vaginal Davis's low-budget -- often no-budget -- performance, experimental film and video practice has critiqued exclusionary conceits from the outside. Davis has been a prolific producer of club performance, video and Xerox-produced Zines, and other forms of antagonistic low-cost, high-impact work. Such as in her drag reconstruction of Vanessa Beecroft's Navy SEALs performance, Ms Davis derails collector-friendly raciness in spectacles of femininity, queerness and blackness. She critiques both the gallery system and the larger cultural trend that it mirrors, with tongue-in-cheek self-exploitation and rude provocations of racial and gender confusion.
Vaginal Davis is the key proponent of the disruptive performance aesthetic known as terrorist drag. Disrupting the cultural assimilation of gay-oriented and corporate-friendly drag, she positions herself at an uncomfortable tangent to the conservative politics of gay culture, mining its contradictory impulses to interrupt the entrenchment of its assimilatory strategies.
WORKSHOP LEADERS
Kirsi Monni
Doctor of arts (Dance) Kirsi Monni has worked in the field of dance art since the 1980s as a choreographer, dancer, teacher and researcher. She has created over thirty own and commissioned choreographies for different dance companies and free-lancer artists. She has been teaching and lecturing since 1986 mainly in the Theatre Academy but also in other universities, schools and seminars. Monni completed her post gradual studies in the Theatre Academy in 2004. In her written thesis she analysed paradigm shifts in western dance art during the twentieth-century and outlined a current ontology for dance art with the help of the fundamental ontology of Martin Heidegger. She has been awarded twice the “State Prize for Dance Art” and three times the “5-years artist-grant” from the ministry of education.
She is a founding member of Zodiak – The Centre for New Dance in Helsinki where she worked as a member of the artistic directors team and the association board for two decades and as artistic director for the year 2008. She has also been in the artistic directors team for international festivals Helsinki Act (1996–2001) and Side Step festival (2002–2008). In 2009 she was appointed as professor of choreography at the Theatre Academy Helsinki, Department of Dance.
Victoria Perez Royo
Assistant professor in Aesthetics and Theory of the Arts at the Faculty of Philosophy of the Zaragoza University, guest professor at the Choreography MA and Dance BA programmes of the Palucca Schule (Dresden) and at the MA in Performing Arts Practice and Visual Culture of the Universidad de Alcalá de Henares (Madrid).
Postdoctoral scholarship by InterArt (2009) and doctoral scholarship (2005-2007) by La Caixa and DAAD at the Institut für Theaterwisenschaft of the Freie Universität (Berlin). Research stay (2000-2002) at the Institut für Theaterwisenschaft of the J.W. Goethe University- Frankfurt, Germany.
PhD in Philosophy, Aesthetics and Theory of the Arts (2007) in the Faculty of Philosophy of the Universidad de Salamanca. “Danza y tecnología. Modelos de interacción” (Dance and Technology. Models of Interaction)
Master’s degree in Philosophy, Aesthetics and Theory of the Arts (2002) in the Faculty of Philosophy of the University of Salamanca. “La obra abierta en las artes plásticas y el videoarte” (The open text in visual arts and video art)
ARTEA member, she currently coordinates the projects ‘Research in the Performing Arts” and “Artistic Migrations”.
Concept and organisation of the Symposium „Tanz und Architektur / Tanz im Kontext“ (Dance and Architecture / Dance in Context) in Hamburger Bahnhof, Museum for Contemporary Art, Berlin, September 2007 (together with María Buendía).
Editor of the book ¡A bailar a la calle! Danza contemporánea, espacio público y arquitectura (2008). (Dance in the street. Contemporary dance, public space and architecture); together with José A. Sánchez she has also edited Practice and research (2010) and with Cuqui Jerez To be continued. 10 textos en cadena y unas páginas en blanco (2011).
Konstantina Georgelou
Konstantina Georgelou works as performing arts theorist, dramaturge and researcher. She is currently lecturer and research advisor at the ArtEZ Master of Choreography and lecturer at Theatre Studies department of Utrecht University. Konstantina completed her PhD research at Utrecht University, entitled 'performless: the operation of l'informe in postdramatic theatre', and she was later on appointed as post-doc fellow at the Centre for the Humanities. In 2011 she co-curated the PSi Regional Research Cluster in Athens and she is founding member of the Institute for Live Arts Research in Greece.
Between 2003-2012 she worked as a dramaturge and artistic coordinator for Quasi Stellar / Apostolia Papadamaki theatre-dance Company in Greece and for the period 2008-2011 she was external collaborator of Kalamata International Dance Festival in Research and Programming. Amongst others, she has worked as dramaturgical advisor with Danae Theodoridou, Ingrid Berger Myhre and Valasia Simeon and as performance researcher with ICKamsterdam, Dansateliers Rotterdam, HetVeem theatre, DasArts and the Amsterdam Master of Choreography. Currently she is part of the Working Group on Art of Lawlessness in Holland, which seeks to explore, problematise and propose discursive and artistic practices of 'lawlessness', situated in diverse cultural, political and social contexts.
Jasna Žmak
Freelance dramaturg, playwright and scriptwriter, assistant researcher at the Department of Dramaturgy at the Academy of Drama Art of the University of Zagreb where she graduated in 2011. As dramaturg she has recently collaborated with directors Oliver Frljić and Borut Šeparović, and as writer with director and choreographer Matija Ferlin. Both of her performance texts (Solitaries and The Other at the Same Time) were published. Since 2010 she is board member of the Center for Drama Art in Zagreb as well as the editorial board of the performing arts journal Frakcija. In 2008 she co-founded an initiative that stages readings of performance texts by young Croatian authors. In 2009 she was awarded with the Routledge prize at the Performance Studies international #15 conference in Zagreb.
Sophia New
Sophia New studied Philosophy and Literature with German at Sussex University (1993- 1997) and has an MA in Feminist Performance from Bristol University (1998). She is a co-founder of plan b with Daniel Belasco Rogers. Since 2002 they have made over 25 projects for different cities, festivals, and galleries. Their work is often site specific and includes performance, GPS, sound and video. She also has worked as a solo performer and video maker and had grants from Artsadmin, the Anglo German foundation in London and Isis Arts in Newcastle. She also works as an independent performer and has worked with Antonia Baehr, Penelope Wehrli, Petra Sabish, Gob Squad, and Forced Entertainment. She has taught on performance courses in Gloucester University, Aberystwyth University and Das Arts in Amsterdam, as well as giving a course on Urban Interventions with Daniel Belasco Rogers at the HafenCity University Hamburg. She regularly teaches Live Art and Performance with Siegmar Zacharias at Folkwang University for the Arts and in Bochum.
Dr Martin Hargreaves
Dr Martin Hargreaves leads the MA The Body in Performance programme at Trinity Laban. He works between hysteria and boredom and at the intersection of queer cultural practices and minimalism.
Doctor of arts (Dance) Kirsi Monni has worked in the field of dance art since the 1980s as a choreographer, dancer, teacher and researcher. She has created over thirty own and commissioned choreographies for different dance companies and free-lancer artists. She has been teaching and lecturing since 1986 mainly in the Theatre Academy but also in other universities, schools and seminars. Monni completed her post gradual studies in the Theatre Academy in 2004. In her written thesis she analysed paradigm shifts in western dance art during the twentieth-century and outlined a current ontology for dance art with the help of the fundamental ontology of Martin Heidegger. She has been awarded twice the “State Prize for Dance Art” and three times the “5-years artist-grant” from the ministry of education.
She is a founding member of Zodiak – The Centre for New Dance in Helsinki where she worked as a member of the artistic directors team and the association board for two decades and as artistic director for the year 2008. She has also been in the artistic directors team for international festivals Helsinki Act (1996–2001) and Side Step festival (2002–2008). In 2009 she was appointed as professor of choreography at the Theatre Academy Helsinki, Department of Dance.
Victoria Perez Royo
Assistant professor in Aesthetics and Theory of the Arts at the Faculty of Philosophy of the Zaragoza University, guest professor at the Choreography MA and Dance BA programmes of the Palucca Schule (Dresden) and at the MA in Performing Arts Practice and Visual Culture of the Universidad de Alcalá de Henares (Madrid).
Postdoctoral scholarship by InterArt (2009) and doctoral scholarship (2005-2007) by La Caixa and DAAD at the Institut für Theaterwisenschaft of the Freie Universität (Berlin). Research stay (2000-2002) at the Institut für Theaterwisenschaft of the J.W. Goethe University- Frankfurt, Germany.
PhD in Philosophy, Aesthetics and Theory of the Arts (2007) in the Faculty of Philosophy of the Universidad de Salamanca. “Danza y tecnología. Modelos de interacción” (Dance and Technology. Models of Interaction)
Master’s degree in Philosophy, Aesthetics and Theory of the Arts (2002) in the Faculty of Philosophy of the University of Salamanca. “La obra abierta en las artes plásticas y el videoarte” (The open text in visual arts and video art)
ARTEA member, she currently coordinates the projects ‘Research in the Performing Arts” and “Artistic Migrations”.
Concept and organisation of the Symposium „Tanz und Architektur / Tanz im Kontext“ (Dance and Architecture / Dance in Context) in Hamburger Bahnhof, Museum for Contemporary Art, Berlin, September 2007 (together with María Buendía).
Editor of the book ¡A bailar a la calle! Danza contemporánea, espacio público y arquitectura (2008). (Dance in the street. Contemporary dance, public space and architecture); together with José A. Sánchez she has also edited Practice and research (2010) and with Cuqui Jerez To be continued. 10 textos en cadena y unas páginas en blanco (2011).
Konstantina Georgelou
Konstantina Georgelou works as performing arts theorist, dramaturge and researcher. She is currently lecturer and research advisor at the ArtEZ Master of Choreography and lecturer at Theatre Studies department of Utrecht University. Konstantina completed her PhD research at Utrecht University, entitled 'performless: the operation of l'informe in postdramatic theatre', and she was later on appointed as post-doc fellow at the Centre for the Humanities. In 2011 she co-curated the PSi Regional Research Cluster in Athens and she is founding member of the Institute for Live Arts Research in Greece.
Between 2003-2012 she worked as a dramaturge and artistic coordinator for Quasi Stellar / Apostolia Papadamaki theatre-dance Company in Greece and for the period 2008-2011 she was external collaborator of Kalamata International Dance Festival in Research and Programming. Amongst others, she has worked as dramaturgical advisor with Danae Theodoridou, Ingrid Berger Myhre and Valasia Simeon and as performance researcher with ICKamsterdam, Dansateliers Rotterdam, HetVeem theatre, DasArts and the Amsterdam Master of Choreography. Currently she is part of the Working Group on Art of Lawlessness in Holland, which seeks to explore, problematise and propose discursive and artistic practices of 'lawlessness', situated in diverse cultural, political and social contexts.
Jasna Žmak
Freelance dramaturg, playwright and scriptwriter, assistant researcher at the Department of Dramaturgy at the Academy of Drama Art of the University of Zagreb where she graduated in 2011. As dramaturg she has recently collaborated with directors Oliver Frljić and Borut Šeparović, and as writer with director and choreographer Matija Ferlin. Both of her performance texts (Solitaries and The Other at the Same Time) were published. Since 2010 she is board member of the Center for Drama Art in Zagreb as well as the editorial board of the performing arts journal Frakcija. In 2008 she co-founded an initiative that stages readings of performance texts by young Croatian authors. In 2009 she was awarded with the Routledge prize at the Performance Studies international #15 conference in Zagreb.
Sophia New
Sophia New studied Philosophy and Literature with German at Sussex University (1993- 1997) and has an MA in Feminist Performance from Bristol University (1998). She is a co-founder of plan b with Daniel Belasco Rogers. Since 2002 they have made over 25 projects for different cities, festivals, and galleries. Their work is often site specific and includes performance, GPS, sound and video. She also has worked as a solo performer and video maker and had grants from Artsadmin, the Anglo German foundation in London and Isis Arts in Newcastle. She also works as an independent performer and has worked with Antonia Baehr, Penelope Wehrli, Petra Sabish, Gob Squad, and Forced Entertainment. She has taught on performance courses in Gloucester University, Aberystwyth University and Das Arts in Amsterdam, as well as giving a course on Urban Interventions with Daniel Belasco Rogers at the HafenCity University Hamburg. She regularly teaches Live Art and Performance with Siegmar Zacharias at Folkwang University for the Arts and in Bochum.
Dr Martin Hargreaves
Dr Martin Hargreaves leads the MA The Body in Performance programme at Trinity Laban. He works between hysteria and boredom and at the intersection of queer cultural practices and minimalism.
STUDENTS
MA Choreography, Taideyliopiston Teatterikorkeakoulu, Helsinki (FI)
Soii Huhtakallio
Heli Keskikallio
Veronika Lindberg
Linda Martikainen
Leila Kourkia
MA Dramaturgy, Akademija Dramske Umjetnosti Sveučilišta u Zagrebu, (HR)
Mila Pavicevic
Laura Potrovic
Nina Gojic
MA Dance Theatre: The Body in Performance, Trinity Laban Conservatoire of Music & Dance, London (UK)
Tamsyn Butt
Gareth Chambers
Catherine Elsen
MA in Performing Arts Practice and Visual Culture, Universidad de Castilla-La Mancha (ES)
Ibon Salvador
Luciana Chieregati
Elisa Arteta
Claudia Fuentes
MA Solo/Dance/Authorship, HZT Berlin, Universität der Künste Berlin (DE)
David Pollmann
Kyla Kegler
André Uerba
Rodriguez Garcia
Helena Botto
Yasuke Kimura
Ixchel Mendoza
Soii Huhtakallio
Heli Keskikallio
Veronika Lindberg
Linda Martikainen
Leila Kourkia
MA Dramaturgy, Akademija Dramske Umjetnosti Sveučilišta u Zagrebu, (HR)
Mila Pavicevic
Laura Potrovic
Nina Gojic
MA Dance Theatre: The Body in Performance, Trinity Laban Conservatoire of Music & Dance, London (UK)
Tamsyn Butt
Gareth Chambers
Catherine Elsen
MA in Performing Arts Practice and Visual Culture, Universidad de Castilla-La Mancha (ES)
Ibon Salvador
Luciana Chieregati
Elisa Arteta
Claudia Fuentes
MA Solo/Dance/Authorship, HZT Berlin, Universität der Künste Berlin (DE)
David Pollmann
Kyla Kegler
André Uerba
Rodriguez Garcia
Helena Botto
Yasuke Kimura
Ixchel Mendoza